Pier Bucci, well known for releasing on Cadenza and Crosstown Rebels in the ‘00s, is one of a handful of seminal minimal producers to rise out of Chile. An occasional collaborator with Luciano, the Maruca Music founder has now launched a new project alongside exciting Berlin-based prospect Oskar Szafraniec; a young talent who many will recognize from appearances on Cyclo and Murge Recordings.
Meeting in Japan, Bucci and Szafraniec’s shared pseudonym is BUSZTM and the pair have an album landing on Beef Records at the end of the year. MEOKO got in touch to find out more:
Hi guys, how is it going? What have you been up to lately?
P: Hi! I’ve been in South America for 7 months, traveling on an Austrian military truck (a Steyr Pinzgauer). So far, I’ve been in the desert of Atacama, Salar de Uyuni and also La Paz in Bolivia, Lake Titicaca and Cusco in Peru, as well as researching and recording Altiplano music. In Peru, I went to a community that’s high up the Andes and recorded a 73-year-old man, playing a 24 stringed guitar. His music was incredible. I also went to the eastern island and did a recording of Polinesic music with a songwriter named Cal Mario Tuky.
O: I just got back from Austria, I’ve spent a month there. Just been traveling from place to place, very happy to be back in the studio, I signed couple of new records for Skylax and Gel’s Abril new record label. I’d like to finish a solo album this year, that’s the plan. I was just looking at our pictures the other day from the tour in Japan. Do you remember that time Pier?
P: Oh yeah, I remember when we met in the restaurant in Japan! This was before the gig at Womb and it was your birthday! Then we went to Osaka to this nice festival called Sea of Green. Japan is my favourite place and the best club has to be Yellow.
O: It’s quite the same for me. Japan is a very interesting country and I had a lot of fun playing at Liquid Room, it was also nice to play b2b live with [A Guy Called] Gerald at that festival in Osaka you mentioned, such a nice experience in the mountains. The rain was heavy.
P: Yes, that was an experience!
What else have you got lined up this year?
P: Well my solo album ‘Pier Bucci Anika’ is going to be released. Apart from that I’ve been working on two more productions with Andean music and Polinesic music. They’re still a work in progress.
O: … Yes, what I’ve heard of the ‘Anika’ album is amazing, can’t wait to see it released! I have a 12’’ coming out on Skylax, which is four tracks, as well as two EPs on Gel Abril’s new label. There are also a couple of things, which can’t be mentioned yet, but I’m really happy with the way this year is going.
Not to mention the collaborative album as BUSZ! Can you tell us more about the relationship between you two?
P: As soon as we met we discovered we have a lot of similar interests and tastes in music, especially the music made in the 90s in England, like the electronica scene.
O: So many amazing records were released back then. The music was full of emotions.
P: Yes! We’re always evaluating and admiring the incredible emotions involved in that type of music. We always talk about how music from the 90s in England was so emotional and nowadays this magic is more often found in the background. We share this way of focusing on the feeling of music, where music is more important than how effective the track is on the dance floor.
O: For us, the time in the studio is very important. All of the hours involved behind producing each track as well as the incredible method and architecture behind each track; it’s always important that every moment of production goes towards creating the incredible methodic architecture. The process of creating the tracks by using synthetizing sounds in the album was done in a very methodic way, where we also share the special times and the moments of our own individual lives.
P: Exactly. We spend time working on the tracks together every day. Dealing with the issues of everyday life situations between conversations about all the many frequencies we can make from the machines and mixers whilst translating these moments into music in the form of notes, frequencies, rhythms and vibrations.
O: Magic happens, for example when we needed an instrument, which was the Moog Mother 32, we were looking on Ebay for two of them and happened to find a guy 20 meters from Pier’s house who was selling exactly two of them and, of course, we bought them right away!
Can you tell us more about the collaboration process itself?
P: For me, having a good studio plus the experience of producing numerous albums, combined together with the fresh musical view provided by a young and passionate Polish person [Oskar] led to a lot of sharing. If you have an experience and don’t share this experience with others it’s a waste of time, because everything you experience and experiment with needs to be shared as this is how you grow. Sharing my studio and my experiences with Oskar was a real refreshment for my productions because we encouraged each other to practice new productions techniques.
O: Working with Pier was an absolute honour; he’s so experienced and has recorded so many albums and various different projects…he’s incredible.
P: Our album is a collage of old equipment, such as Moogs and analog machines, plus a lot of new equipment, as well as instruments such as guitars, drums, recording reels and vocals. Our focus on different sound architectures led to creating atmospheres and rhythms to harmonize our two influences; a colourful Latin sound with a deeper sound from the east, where we blend the traditions and cultures creating an incredible effect. This is the result of the two of us working together.
For me to do music and continue being inspired the best method is to learn from different cultures by travelling the world in a conscious way. This is the best process and is the way I like to enjoy my life. Music has been an incredible gateway for getting to know different people with different personalities, influences, cultures and ways of thinking and acting.
O: It’s been like this for quite a few years for me, too. It’s traveling and meeting new people that makes me happy; sharing different points of view, different ideas, and making the effort for all of our music to evolve together!
BUSZTM ‘Tipico Latino’ (Album Sampler)
More BUSZTM on juno