UVAR is set to do their London debut remarking Vibe London‘s 1st anniversary with a special 8-hour b3b set from Ada Kaleh b2b Nu Zau b2b Sepp. The event will take place at Hackney’s recent addition to the London clubbing scene Studio 9294, an open-air terrace during the daytime with the beautiful canal in the scenery, then the party will move into the warehouse space from sunset until sunrise . The day-and-night event is bound to be a memorable one with the venue’s terrace for the day time part.
Vibe London has already throwed a reasonable number of parties in the capital hosting artists with the likes of Floog, Sepp, Nu Zau, Mahony, vlf to name a few. The next installment is their strongest lineup and no doubt on the quality sound provided over the night. Support will come from Sebastian Eric, Matje and the residents; Yuda and Amih. The Vibe crew has already made a strong impression over their first year and inviting Uvar seems like a perfect setting to honour the anniversary!
Oh, did we mention the after party? You know how it goes; Good Vibes Guaranteed.
Ahead of the trios London visit, MEOKO caught up with Ada Kaleh to speak about UVAR London Debut and his future plans.
So there you go: on Nov 10th, it’s in the Wick that the good things are, so it seems. you can already book your tickets here. See you there at the front-left speakers — after-party at The Cause.
1- Hello Ada, it is a great pleasure to interview you. First of all thank you for your time. How has life been treating you so far?
Hey guys and gals, the pleasure is on our side! You know how it is with life, ups and downs, just like everyone else.
2-What is behind Uvar? How did you decide to join forces as a trio?
The trio started all of a sudden, as a natural step forward. I did an EP for Uvar a couple of years ago, so the planning brought us together easily. Well, that and bonding by doing bad jokes on the internet. One day Gabi asked us if we want to do an Uvar showcase in Berlin, so we did it. That ended up in all three of us playing b2b. Worked like a charm, so we decided we should do this more. It’s quite a special thing, so in that regard we did them in a few key places of the European scene, like Rex Club Paris, Supermarket Zurich, FUSE Brussels, Berns Stockholm and a few others, cant remember of the top of my head.
3- Uvar London debut is coming closer. What are your expectations about it? How did the project get structured?
Honestly I don’t really have any expectations, we’ll live and we’ll see. We’ve all played London plenty of times already individually, some bigger events and some smaller ones, some very successful, a couple… strange. But all in all, expectations aside, we think this one is going to be quite good. Not to mention; we are going to play for an exclusive 8 hours, so better rest well until Saturday and be ready for the marathon.
4- What is your general idea about London Underground Music scene?
I see it split in two very differents sides. There’s the smaller but thriving side of promoters doing off events, trying to bring their favorite acts, and then there’s the money driven side of super production, aggressive promotion, ultra cheesy line-ups and horrendous crowds.
5- Uvar showcase has started to take place recently. How does it feel to play as trio and play as solo? Any other events in the pipeline?
For me these are two completely different sides, its like having split personality. When I play solo, I have a long term approach and dip in and out of genres, leading the crowd in certain directions. When I play with the fellas, it’s much more spontaneous, as we tend to surprise eachother with of the stuff that we play. Next up, we have a Paris showcase being planned.
6- What are your main inspirations when it comes to your creative process? Are there any things you could not imagine working without?
Ah jeez! I have no clue how my creative process works anymore and where inspiration comes from. A few years back I thought it was nature and human interraction, now I’m not so sure about that. Well, I used to have a lot more free time back then, and I was a bit more naive. Now with the constant DJing something has changed. First of all it created a struggle between the producer side of me wanting to make odd and very musical compositions and then the DJ side comes in “saying” it has to be functional. So that creates a block that I have to get around. Then there is the time factor, its quite hard to get into a writing state when you’re back home on Sunday evening or late at night, have a couple of days to decompress and then Friday you’re back at it again. I mean there would be plenty of time if you wanted to do all this bullshit music of the new wave of producers, where they download a sample CD, make an arrangement and call themselves musicians, but if you want to write proper music, that needs time and patience. As I see it now, you can’t be a great musician and a great DJ at the same time, you have to separate the two and do them in turns.
7- Anything else you would like to add for our readers?
Don’t follow the hype.
Thank you again and see you all on Saturday night for a magical evening.
We are all much looking forward to our London visit and celebrating Vibe’s first Birthday with you all.
Words by Erchin Jon
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