No history of Bulgarian electronic music would be complete without a mention of Deyan Zlatinov. You might not have heard of him but there’s a good chance you’ve danced to his music – particularly when you consider that Loopdeville has been engaged with electronic music since the 90s. Deyan has kept a low profile for much of his career, touring only occasionally while remaining an active producer. In the past 10 years he has played in countries like Switzerland, Germany, UK, Romania & Bulgaria and played on festivals like Meadows In The Mountains plus other Open Air Parties. To hear a Loopdeville record is to peer into Zlatinov’s soul: every broken drum sound, every old school pad, every dusty sample reflects something lurking in his subconscious. His aesthetic has arguably been best showcased in his standout mixes, with efforts for Introspections (Half Is Enough) and Project London Radio in more recent years.
It was 2013 when he released his first digital and vinyl EP’s under the name Loopdeville, respectively Karton Label and Knock Knock Series from Kiara records, Body Parts and his own label Delooped Records which he launched that year with his partner in crime Georgi Panchev. Through Delooped he began putting out an array of new music from the likes of Sublee, Pepp, Anima Mundi, Anton Pau as well as his own music and soon developed a close relationship with kindred spirits such as Lorenzo Chiabotti, Suciu and Harry McCanna to name a few. In 2014 he released on Moss Co., Odd Music and a remix on a vinyl only release for Moral Fiber with one track on a VA for Karton (vinyl only), also with a remix for Body Parts and recently on Rotate 005 “Mini Rotations I”.
Like many producers, Loopdeville eventually wound up in London, and it was there that I met him for the first time about five years ago. Since then I have spend considerable amount of time with him at his studio, either observing him producing music or spinning records. What I’ve witnessed was a passionate collector with an extraordinary drive to take the crowd on a musical trip. In short, Zlatinov is an important ambassador for Bulgarian electronic music and is an artist with something to say, which is why we decided to sit down and have a chat with him! We also got him to record an exclusive mix for all of you so double treat right here for our Meoko readers!
Hi Deyan! Thanks for being part of our series! I appreciate that you made time out of your busy schedule for this interview! It barely took a pair of ears to tell that you have a real passion for minimal and techno. Can you tell us how all of this started and evolved over the years?
Hey Denny thanks for having me. Great to be part of these series for Meoko. Well, it all started with me wanting to be a singer actually. I tried, but somehow I could not see me practicing by myself at home singing to the walls. It all started when I joined a private singing school and at some point we went to a studio to record a dreadful song of mine… It was at that time when I had my first real touch with a studio and observed what the producer was doing.. since then everything changed. After a while I quit the singing lessons and got myself a PC, met another producer who was making music mainly for fun and he got me into music software so we started making beats.
What influences did your home country Bulgaria have on the music you make? Were there any particular people, parties, labels or moments that significantly influenced you in the early days?
Back in the early days of acid and techno / house music there was a very unique and famous club called Comics Club which was simply awesome! It was an old cinema theatre with high ceiling and some amazing DJ’s over the years. There I fell deeply in love with this music genre which inspired my productions and allowed me to develop a “old-schoolish, broken, repetitive & dusty” style.
Artists from Mazi a.k.a Audio Soul Project, Dj Ali (Canada), Hipp-E & Halo, Joey Youngman, Terry Francis, Nathan Coles, Eddie ‘Evil’ Richards, Tony Thomas, Silicon Soul (they were the city favs actually at some point) to some crazy techno DJ’s from the great techno scene that Sweden had back in the day; Cari LEKEBUSCH, Hertz etc. All these artist were from the beginning of 1990s when the club was active. Nowhere else in the country, was there a place like that…it was a sanctuary for the new kids on the block. I should also mention Club “Weekend” where it all started for me as a performing DJ. A year or two after that I was playing b2b with the owner at that same Comics Club, presenting his new line of parties – we went on to have some glorious b2b with the guy and yeah it was a perfect beginning for me. If you add some broken beats inherited by my country’s folklor – (the roots you know) and the influence of hip hop, soul and jazz on top of everything else then you get the idea behind Loopdeville.
It’s been about 4 years now (more or less) since you left London and moved to Gibraltar. How do you find the city? Are you enjoying your life there?
Yes we moved out of London as it was getting too much for us (me and my fiancée). We went to a place called Tarifa and there we decided it was time for a new chapter for us and I couldn’t have agreed more. We live on the other side of Gibraltar, which would be Spain and there we had our little daughter Sofia. I was devoted full time on raising my daughter, especially the first 1.5 years which was an amazing experience, trust me (laughs). Gibraltar is an interesting place I must say with a nice little scene that has some proper big names and also current underground figures are making their appearance at parties here and there. I have much love for the people who gave me the chance to play music here – the guys from Noroc, but it wouldn’t be possible without the kind help of a man like Rossko who introduced me to them as he played here too. Enjoying life here Denny you should come and experience the city yourself!
And what about your record label Delooped? What is the concept behind it and what should we expect in the near future?
Delooped is our baby – mine and Georgi’s! It is still kicking and will be kicking again soon as we have prepared a double 12” for our next release. This release comes from Bulgarian artists called Sumrak – a truly amazing duo – but more about them very soon… The idea behind Delooped is to stay within a small circle of artists and of course always push Bulgarian artists that make the kind of music we like and believe in.
We are also in the process of bringing back our second label Erorr or Catalogue Of Erorrs and we are working on a third label where we will be presenting a sound that would be similar to the one Delooped has already established after 5 releases. At the moment lots of things are being finalised and I will be revealing more when time comes. Erorr will be presenting slightly braver ideas and out of the box kind of productions – all mastered by our good friend Tom Gillieron. Just check our first release on Erorr and you will see what I mean. Vendi was the producer behind it and as always he did a flawless job.
You are also an artist in your own right – which of them two is more important? The label or your own music, or do they go hand in hand?
The label and my music both go hand in hand. I have always been interested in the idea of creating a circle of like minded artists who embrace the philosophy of having a good and clean relationship between us and also making sure everyone is appreciated by the label; be it artists getting paid or invited to a showcase party and so on. Surely we have made mistakes along the way but after all we are here to learn and we hope there hasn’t been any artist who we didn’t treat well.
What are you looking for when it comes to finding new music and signing artists to your label?
What I am personally keen on is artists who got the “humpty dumpty” flow in their beats if I can say and it makes sense. There must be character in their music, funk, jazz, that techno-minimal magic dust; the kind of music where you can jack your body – don’t really care if it is minimal or techno or house or electro tango. If you listen to what we have released so far, or the music I’ve done, you would probably get a better feel of what I’m trying to describe.
In regards to your own productions, what projects are you working on at the moment?
At the moment I’m not really working towards anything in specific rather than a remix I will be starting soon. Usually I would sit down and make beats whenever I find time for it and let emotions do their job. It has always been more of a hobby of mine rather than a regular thing, even though I have had many unsocial months, maybe even years of my life devoted on crafting my sound and all the rest that followed. Making beats is probably the only thing I have been patient and consistent with in my life – in terms of interests and work wise too (laughs)!
Is there anything that you don’t see enough of in the music industry that you’d like to see?
The music industry as it is stands has more than enough and as every fairy-tale you got the dark side of it – here too, but I am not going to elaborate on that as it is a long subject. At the end of the day it will be what it will be. We can only keep our heads down and work towards always changing things for the better for our environment and the industry as we know it. What I aspire is to create a sustainable life for the labels – me and Georgi are already presenting and investing towards this and will continue to do so in the future. We’ve been off the grid for a while, although behind the scenes we’ve worked hard in order to come up with ideas on how to reach closer to our goals. In addition we have always been on the look for fresh artists with fresh ideas.
Coming on to the mix you’ve made for us, what can you tell us about the music on it?
This is a mixture of the tracks I love listening and playing at the moment. Probably only one or two of them are released, again from artists whose music I love; Dj Ali, Afriqua and also this sick up and coming artist from Manchester called Samuel Padden feature in this mix together with my good friends Maruntelu with a cover of RHCP track by the end of the mix.
In the beginning of the mix you will find out a forthcoming track on our Erorr label from an artist that requested to remain unknown. Not only to us, but to everyone who is about to hear the music and we totally respect that as we absolutely love the productions and the final product. By mid way the mix builds up with tracks from forthcoming releases on both our labels. Those are productions from our newly signed Bulgarian artists that will be having a double 12″ for Delooped and later in the year on all other labels. Basically these tracks will be available at some point this year through our labels.
Words by Denny Kem