After the highly acclaimed ‘Positive Vibes’ EP by Orlando Voorn and the follow-up “Feel Good” EP, courtesy of label-head honcho Giuseppe Scarano, NICEPEOPLE drops a blissful brand new wax from the veteran Vincent Floyd. The US maestro is famous for having released house classics in the mid-’90s for labels such as Dance Mania, Relief and Gerking Records. In 2014 he experienced something of a career renaissance, with the release of ‘Moonlight Fantasy’ on Rush Hour, and since then he’s been totally on fire.




Vincent kicks things off the lovely “Music Therapy“, delivering a laid-back track, perfect for some sunny (after hour?) moments. The track offers some joyful and retro-sounding drums, with the hi-hat being sharp and clean at the right point. The melodic pluck has something retro too, hitting high into a majestic progression, assisted by vintage arpeggiators and deep stabs that give to the track some extra-power. 



Thus, “What We Have Done” is an amazing 808 ballad, with the closed hat that presses right on the kick drum, almost getting over it. Again, the track is filled with celestial sounds, starting with the epic pads that set to the track almost a holy mood. The beat insists in short loops, simple but effective, while melodic elements give an housy romantic touch. Overall, the atmosphere is playful, making this track sounds like a real 90s anthem as if it were coming out of a lonely stereo near a basket camp.




On the flip, Italian powerhouse Nico Lahs, turns the original of “What We Have Done” into a jackin’ dancefloor tool with a harmonious repartee of housy stabs that flow above a clean interplay. The groove is nothing but classic, with a powerful kick that perfectly fit with the long-tailed snare, blinking an eye to the last century house. The jazzy and soul chords do the rest, adding energy to the original but without ruining the smooth house feels.



Rounding out the package is the more melancholic jam “You Never Knew Me“. With fewer elements in the drums, the beat moves syncopated and rigid, almost felt uncomfortable. Some retro synths are arranged around a deep and steady arp sound, whilst moogish melodies arise from the filter sweeps. melodies are glidy and cut in the mix easily, laying on top of everything else. The arp cycles inexorably, with only the rimshot breaking its regularity, as if, at least, he really knew him.




Words by Francesco Quieti & Francesco Zambianchi