The new stage of the 2018’s ‘Best International Festival’ will be called SATELLITE
The new stage of the 2018’s ‘Best International Festival’ will be called SATELLITE
Experiment Intrinsic is an event concept which puts intimacy at its core. 2019 will see the organisation landing in France once again to plan a five days experience in the beautiful Le Parc de Josephine Baker in Dordogne, where it was held two years ago. The 2019 edition promises to be one of the best events of the summer for the audiences looking for something deeper, less loud and more sophisticated.
Experiment Intrinsic France 2019 you will experience eclectic live sets ranging from ambient to noise and world music, such as Jan Jelinek, Lucrecia Dalt, Ujjaya, but also some of our favourite DJ selectors presenting their ambient side such as Praslea, Francesco Del Garda, Margaret Dygas, Nicolas Lutz, or Vlad Caia performing his first experimental solo live set. Apart from the music you will also have the chance to learn more about mind and body and participate at workshops on subjects such as yoga and meditation. The mixture of well-picked bookings combined with a stunning location, the various workshops and an intimate crowd are all reinforced by the Experiment Intrinsic premises to create an immersive environment.
In sight of this year’s edition, we spoke with Nathalia, creator of Intrinsic and founder of the festival, in order to better understand the Experiement Intrinsic concept and Goals.
Could you tell our readers about your start in London and how the Experiment Intrinsic concept evolved into a five-days festival?
Everything in life goes in cycles, and an individual can generally recognise when they need a change or progression. Intrinsic was born in result of such a recognition.
In the beginning the idea behind the project was to invite DJs who usually play dance music by giving them an opportunity to play different fields of sound they listen to. I’ve always been passionate about experimental music and it was part of a very natural process to start a project in that direction. Soon after, everything evolved, and we started involving also live acts from the ambient and experimental field.
After running events in London for 2 years, the concept for an extended weekend event began to take shape and had become an opportunity to expand our vision further.
From the 1st until the 5th of August the event will take place for the second time in the French countryside, at Le Parc de Josephine Baker in the beautiful central region of Dordogne. Why did you choose this place and what makes it special?
A person proposed me to host Intrinsic in France. When we visited the site, I felt that the park of Josephine Baker would be a highly suitable place to deliver Intrinsic. I was impressed by the history and the nature of the park, which is also an institution devoted to culture, the arts, the education and actions for the benefit of fraternity and ecology. Josephine Baker was a dancer and singer who became widely popular in France during the 1920s. She devoted much of her life to fighting racism: “There is only one race, the human race.”
The park’s general ethos is aligned with our values and is thus ideal for us.
It seems that Intrinsic puts a particular focus on its intimate and curated atmosphere… Quality over quantity. Where does this choice come from?
It is an old wisdom of humanity.
By choosing quality over quantity we open ourselves up to the true efficiency and the depth of our experience. On the other hand quantity over quality brings distraction within our lives, we get taken away from our priority and values.
Intrinsic is focusing on the long term things that matter. We simply value ourselves, our work and our community. People’s vibration, mindsets, and beliefs become somehow our own, so it’s important to create a surrounding that lift everyone higher. Intimacy is so important, as it helps us connect. We feel free to be ourselves, without fear of criticism and expectations which has such a big presence at bigger scale events.
Every festival aims to be something different, but I feel like Intrinsic actually manages to do something unique. Let’s take the booking choices for example; the variety of experimental live acts is so incredibly curated, but also the established and ‘bigger’ DJ names are interestingly chosen (Nicolas Lutz, Margaret Dygas, Praslea…). What guides your booking choices?
We never tried to be something different to be honest, we simply felt its essential to deliver such a project.
The guidance comes from my heart and own sound preference. Involving mainly artists which have influenced my musical journey trough the years. It’s also important to have some personal connection and understanding with everyone who takes a part. The combination of both sound inspiration and personal connection creates a very special atmosphere that builds on appreciation and trust. This vibration manifests to the audience and the experience.
I also found very interesting that on your website it is mentioned how the music is rich in details and many audience members want to hear everything. This goes in the opposite direction from the usual party/festival experience where the audience is provided with a context where they are basically invited to be as loud as possible. In these times moments of reflection and focus, especially in a community context, are getting rarer. How do the atmospheres created in the Experiment Intrinsic events influence individuals? How do they react to ‘quieter’ performances?
I can’t really speak from our audience point of view, but I can share my own. I consider ambient music as a different form of meditation. Sort of gateway to go inward. You can’t meditate while your mind is busy and loud. As matter of fact I found out that quietness is one of the most underrated values in music. It is very important for us to create a floor where everyone shares similar values and join the events with deeper purpose than just an event to hang around or hear highlight DJs.
The event will also provide various workshops, from yoga to healing arts. The term ‘Spiritual’ is a little overused these days, but I would like to ask you to elaborate on the subject; developing a spiritual side in one’s life is certainly a challenge in our society. Can a gathering like Experiment Intrinsic be a place for human souls to develop themselves and meet each other in a spiritual sense?
Being spiritual means being kind to yourself and all other beings, loving your existence. Taking in account the feedback received from most of our audience members I believe the project is a platform where people connect to their higher self collectively and individually at the same time. Workshops, yoga and healing arts are playing a very important role for our personal growth. In combination with ambient music over a 5-day format, it allows the mind to get quieter and the soul happier. I feel the difference between Intrinsic and many other events lies not only in the chilled experience, but also in the post effect which many describe as another form of awakening.
You are also active as an artist under the moniker ’Nathalia’, and you will perform at the event in August. I was impressed listening to some of your recordings; deep soundscape submersions that retrieve distant memories. What’s your vision musically? What do you want to communicate to your listeners?
Emptiness. My recordings come into existence as a result of personal expression trough mix of soundscapes. We use labels as if they were permanent “things” that make us who we are. Describing sound it’s like creating identity and attachments to certain labels. We are changing constantly, so it is our expression. I usually try to communicate through the sound which can lead me to the moment of emptiness within my mind and soul, however, sometimes that is a hard task due to my personal state, and that’s part of the journey. Depth comes from within the heart. It’s a true miracle when you get inline with your depth, as you touch the purest side of your being. That’s what I call meditation. Sometimes it’s very profound and sometimes you are just trying out – practicing.
You have been involved in the electronic music scene for a while. Where is electronic music heading in 2019? Could you share one positive and one negative aspect of the current state of the electronic music scene?
I don’t think I can be the one to comment on the future of electronic music scene. There is always room for improvement and innovation. As long as people are creating from the heart, we do not need to worry about positive or negative aspects, as they constantly change according to our own state of mind.
Can you please share your favourite moment from Experiment Intrinsic France 2017?
Collective awareness supported by the Universe.
Could you share 3 pieces of music that you think are representative of Experiment Intrinsic?
In order for the festival to take place, Experiment Intrinsic is asking for its goers to secure a deposit. You will have time until the end of February for this!
Tickets and info: CLICK HERE
Gyorgy Ono supplied us with a two hour recording that captures the atmospheres of Experiment Intrinsic. Smoothly moving from dark soundscapes to middle eastern ambiences to avant-garde jingles that could have been delivered directly from ‘The Residents’, or some obscure country artist from what we know, the podcast has the same visceral potency of dreams to bring someone from one place to another in a few seconds without him feeling lost. The artist, with his roots in Georgia, aims to explore sonic fragmentation by combining various elements of pre-existing material, and we think he absolutely hits the target here.
interview by Giovanni Bodrato
‘, played around the end of the mix) the outcome is amusing to say the least, with the only downside of leaving us ready with a party mood, and craving for more.
The fourth edition of the Snowman Fest will take place tomorrow, Saturday 26th of January at the Ponton Casa Baraj in Valiug, Romania, with a stellar line-up. The most awaited act is of course Amorf, the known collaborative live act between the experimental artist Mischa Blanos and rominimal’s favourites Cristi Cons and Vlad Caia of SIT. The mix between the Misca’s liquid piano stories supported by never still minimal rhythms created a unique style that has mesmerised clubbers and festival goers all around the world. Moreover the event will see DJ sets from Suciu, Sepp, vlf, Perpetual, Runy, Bread & Butter, Somesan, as well as special visuals by Noetic to complete the show.
The beautiful venue, a heated tent right by the mountains in Western Romania, will host this spectacular party that will last through both the daytime and nighttime, starting at 2PM on Saturday 26th January and finishing at 9AM of the next day. Additionally the sky plant right next to the venue will work Thursday to Sunday from 9.30 to 17.00 – making this the perfect occasion to book your sky trip without the danger of getting bored and missing your favourite hometown’s club.
Bipolar is a Romanian organisation planning awesome underground parties around Romania and in Belgrade, Serbia. For more info and full party listings, check out their FB page: https://www.facebook.com/bplr.ro/
Today we are more than proud to feature a legend in our podcast series, someone who is often named among the creators themselves of the techno music genre: Mr. Kevin Saunderson. The recording sets the mood with the timeless Kenny Larkin Tension Mix of Kevin’s own ‘Future’ featuring Inner City. Kevin then shows his skills as an artist who has the incredible ability to create a mood in its mixes with just 2 or 3 purposely chosen tracks at the right tempo – throughout the mix each track is extremely strong, with no frills. Whether it’s house or techno elements in the mix the result is astonishing; Kevin Saunderson brings a classic Detroit touch to each single moment. The mix sucks up the listener until the end leaving one to scream for more techno – we could not have expected anything less from a legend such as Kevin Saunderson.
Kevin Saunderson returns to London this weekend; on Saturday 19th of January he will perform at Corsica Studios. And while platinum-selling Detroit artist will be back headlining room 1 of this special event, room 2 will also see something more unique than rare happening; Memory Box welcomes Renaat Vandepapeliere – the Boss of the one and only R&S Records who is known for taking risks in his sets beyond trends. Robin Ball and Brassica playing live finish up the line-up into what already feels like a memorable event – definitely not one to miss out if you are around London this weekend
Catch the man himself at Memory Box this Saturday One of London’s perfect venues to host such an event, Corsica Studios alongside Renaat (R&S)
These bits do the business, all out in the past fortnight unless stated otherwise:
My Own Jupiter – MOJ 10
My Own Jupiter is a multimedia invitation onto the planet Edurne and Nicolas Lutz have created for themselves. For the 10th release the Uruguayan artist Michelle drops a killer album with 8 floor bombs that will keep you dancing till eternity. Zocco!
Overcome/Lady Science (NYC Sunrise) (12″ repress)
Trelik – TR 11:11
REPRESS ALERT: Trelik returns with a repackaged edition of one of the catalogue’s most treasured releases. Written and produced by Thomas Melchior and Baby Ford aka Soul Capsule, these tracks came from one of the many sessions recorded at the West London Ifach Studio in 1999.
Partisan – PTN012
Matching classic motifs with a bold, crisp production style that sits comfortably in the ever-expanding Partisan catalogue, Giammarco Orsini once again proves himself to be a vital rising talent in the European House and Techno scene.
Like This Girl (12″)
Perlon – PERL120
Next on Perlon is an EP from International Anything, the collaborative project of label head Markus Nikolai and Ole Schulte. Debuting on the infamous Superlongevity compilation in 2017, this 12″ is the first solo release of the duo.
Shamania (double 12″)
Sleep Is Commercial – SLCLTD008
Wareika’s double-EP “Shamania” features two collaborative remixes from Ricardo Villalobos and Thomas Melchior, Wareika’s original and a remix from Dunkle Dummies. Due out on Sleep Is Commercial. Nothing more to add!
Slices of life | SOL10.2
Slices Of Life celebrates the 10th release with a two-part vinyl compilation: SOL10.1 and SOL10.2! Label owner Barbara Preisinger gathered seven unreleased tracks on two seperate 12 inches, by previous Slices Of Life artists as well as producers who relate to the label through friendship, events and personal support.
Lost’n’Rex EP (double 12″)
Time Passages – TP 10
A Walk In A Field (12″)
Serialism – SER047
The Cobblestone Jazz man shows off some of his vintage colours courtesy of a release which comes at us here from Cesare vs Disorder’s Serialism imprint. The music of The Mole is engaging, captivating and mind-blowing at the same time.
Lyra (180 gram vinyl double 12″)
Meander – MEANDER 025
Lyra is DeWalta’s fourth large project and third full-length album following Wander in 2012 (on Haunt), llumination in 2014 (on Meander) and Dark Matter in 2017 (on Amphia). The album consists of two individually available parts and is by far DeWalta’s most extensive and refined project to date.
Gravity EP (12″)
Inkal – INKAL 005
Ben Rau has been steadily developing his unique twist on modern house music over the past few years via his Inkal and Meta imprints. Here we see Ben return to Inkal with a new two-tracker which shifts focus in a dynamically unfolding fashion.
Semantics (double 12″)
Nervmusic – NM 023EP
Semantics is Rhadoo’s first EP since 2015’s Zanzibar on Amphia. Spanning four tracks spread across two discs, Semantics will come out through Berlin-based label Nervmusic. A founding member of the [a:rpia:r] label and collective, Rhadoo is one of Romania’s key artists, having helped shape the country’s distinctive minimal sound.
Fairground / Kitten
Cabinet Records – CAB55LTD
Cabinet sees the return of Brawther on the driver’s seat. Pulling out two razor sharp bouncing party jams, “Fairground” and “Kitten” will sort any dancefloor out! Worth mentioning that this is Cabinet’s first pressing with a limited number of 333 labels.
Polyson – POLYSON001
Minibar’s boss Cabanne (also heavily associated with Perlon) is launching his vinyl-only Polyson label with a new EP from Varhat, Hokenkok. On this EP Varhat delivers two originals with Cabanne on remix duties.
Salty Nuts – SN008
Fabe kicks off 2019 by dropping his debut full length on his own Salty Nuts label. Here he shows a wide spectrum of minimal house and techno style across eight tracks that feature Fabe’s typical, loopy signature groove
Hand-stamped unlabeled record from Japan expected out early February. This 12” features 3 tracks; Budōnoki, Budō and Wain and it sounds dope.
From our fav MEOKO selector DENNY KEM
When it comes to Burning Man, one will find it extremely difficult to put into actual words, infact it is probably impossible to describe it unless you have been and experienced this ‘other planet’, of course! I guess it can be anything you want it to be and more, set in the Nervada Desert catering for around 80 000 over 9 days . This festival takes creativity, fashion, community and imagination to a new level. A festival when literally ANYTHING goes.
“Over the course of its history, the Burning Man community has developed its own peculiar lexicon, an organic outgrowth of the event, the culture, and the unique landscape of the Black Rock Desert where the event takes place”
Some have described it as life changing, a rebirth, others claim there simply is just no way to describe it.
Jim Simpson, a longtime “Burner,” said he and his friends came up with the concept of “Oogmoo,” which is a word to describe something you have to see for yourself.
MEOKO put together some of our favourite fashion pictures from BM over the years.
And that is a WRAP!
Disclaimer – if any photographer would like to get intouch, we would be more than grateful to add your credits.
(Isis Salvaterra – Founder of Toi Toi Musik, Agency and Record Label / Press and Communications at GuestHouse
Despite years of growing popularity, the Romanian scene managed to maintain striking integrity and passion. The list of artists from the country who developed their signature sound in the last decades is remarkable, showing an outstanding creative spirit and a strong will to explore minimal dance music outside the box. But the Romanian scene is also known to pay attention to its local uprising talents instead of focusing solely on the same characters over and over. Meoko is delighted to show its love and support to the Romanian scene and signal some talents to keep an eye on throughout 2019.
Resources – Various
Australia has long held a mysterious and exotic appeal for people the world over. It’s rugged, untamed natural beauty entices travelers from across the globe to visit its shores, creating a melting pot of culture and ideas. This unique atmosphere also permeates down into its underground music scene, injecting a cosmopolitan vibe onto dancefloors and inspiring its producers and promoters. Australian’s two biggest cities; Sydney & Melbourne became the setting for the explosion of the rave scene in the late 80’s, as English expats coming out of the UK’s Summer of Love brought with them the house, disco and techno sounds that swept the globe. Seminal warehouse parties and mammoth raves across both cities sparked a longstanding affair with House and Techno. This laid the foundation for more niche musical tastes to flourish with Australia’s current minimal scene putting down preliminary roots around 2011. This is about the people and spaces that have kept this music alive.
As influences from German labels like Perlon, Keinemusik, Kompakt and Playhouse began to find favor on Sydney dancefloors during 2011, collective ‘Braille’ appeared and began playing the forward-thinking sounds of micro, dub, deep house and minimal techno. Their progressively motivated tastes saw them spin regularly at iconic Burdekin & Imperial hotels, alongside hosting their own warehouse parties. Combining German influences with the emerging Romanian sound to great effect. The now defunct group opened the door for successive groups to evolve Sydney’s minimal scene. These early years also saw the rise of seminal event ‘Spice’ ..a legendary after-hours party held in the intimate underground club called ‘The Spice Cellar’. Striking a chord with Sydney punters who yearned for a more European clubbing experience, it was a breeding ground for more experimental sounds, many of which were minimal in nature.
Tragically as the scene was blossoming, one of Sydney’s most defining moments landed like a hammer with the introduction of ‘lockout’ laws in 2014. Using inflated crime statistics to pursue a hard line against what they deemed to be rampant alcohol-fueled violence, State authorities instituted 1:30 am lock-outs and a 3am last drinks policy on clubs and bars. Targeting clubbing hotspots in Kings Cross, Oxford Street, and the CBD. Famous clubs like Goldfish Bar, Goodgod Small club and The Cellar were just a few of the many, that closed their doors due to heavy government regulations. Irrevocably changing the house and techno scene.
One group who not only weathered this storm but has emerged as the current spearhead of Australia’s minimal scene, are Mantra Collective. Forming in 2012, It’s three core members Telly, Whitecat and Aboutjack (Aboutjack left in 2018) have heroically maintained a steady influx of reputed minimal artist into the Australian club circuit. Their warehouse series (now onto its 16th installment) continues the legacy of the 80’s rave scene. One that took advantage of the inner west industrial districts as a refuge for countercultural movements, now utilized to escape the over-regulation and hostile attitude of state authorities. They were the first to bring artists like Vid, Cosmijn, Lazar Hoche, FUSE London’s Enzo Siragusa, Seb Zito and Rich NxT to Aussie shores. As well the being the ones responsible for major highlights in Sydney’s underground scene. In 2016 they collaborated with S.A.S.H., Romanian visual artist Cote and producer Arapu to pull off ‘Inner Space’, a breathtaking audio-visual immersion at the ArtHouse. Their two ‘Reconstructed’ parties in 2017 also hosted iconic producers East End Dubs & Barac as well as Cezar & Subb-an in an incredible underground carpark location. These groundbreaking parties cemented Mantra as the current leaders of this scene.
Before the lockouts damaged Sydney’s nightlife, there were already established crews in the city and SASH is one of them. Although not focused entirely on minimal sounds, they have toured many artists in that realm like swiss whiz Alci, Romanian’s Cristi Cons and duo Vinyl Speed Adjust. Their weekly Sunday parties have been a ritual for Sydneysiders over the last several years. They host a daytime, open-air gathering at North Sydney’s Greenwood Hotel and an evening rager at the iconic ‘Home’ nightclub next to Darling Harbour. They’ve been a big supporter of local talent , whilst still consistently flying in talent from across the world to showcase on Aussie soil with the support of touring agency Solid Circles.
Solid Circles Touring have been a big force in feeding the Australian underground circuit with international tours from the likes of Sonja Moonear, Varhat, Sammy Dee, Priku, Traumer, S.A.M. and many many more. Led by Gregory Pepperpot the agency is a key player that’s connected overseas talent with Australian promoters. Their event series Hello has forged a strong partnership with local outfit Lokomotiv over the past year and a half. Focusing squarely on minimal house and techno the two brands have widened the scope for touring European producers. They’ve thrown shows with artists like Janeret, Anthea and Sepp at Oxford street venue The Bunker. Whilst having also showcased talents such as Germany’s Fabe, Italian Giuliano Lomonte, VBX frontman Ferro and Greek producer Lee Burton under the moodily lit lampshades of inner west nightspot Slyfox. Led by Tyson Brunn and resident Lachie Simpson Lokomotiv’s rise to prominence in Sydney was born out of their incredible podcast series and vinyl label which is capturing the current wave of Romanian music.
With vinyl being such a key ingredient for the dissemination of underground music, a huge windfall for Sydney came with the opening of ‘Something Else Records’ early this year. The first physical record store dedicated purely to underground house and techno music. It was a long-held dream for founder Dave Stuart, who alongside business partner Alex Dimitröff has played a pivotal role in Sydney’s nightlife for many years. Their weekly show’s at the Burdekin Hotel back in the day, were legendary, as they treated Sydney to the who’s who of international talent from across dub, minimal and techno spectrums. Now their record store is having a huge influence on the scene, importing quality vinyl into Australia, becoming the go-to spot for Sydney selectors. You can find vinyl releases from local labels like Addition By Subtraction, Touch Of Loft, Lokomotiv, Unic, Dokutoku & Elision on the shelves here, joining digital imprints like Museme & Conspiracy as they collectively contribute to Australia’s growing, more minimal focused discography.
Another vital crew within Sydney’s minimal community is collective ‘Roots’. Spearheaded by talented selector Marlie, their clandestine parties beckon partygoers to secret and exotic locations across the city, treating them to intimate and exhilarating musical experiences. Constantly experimenting with new concepts and spaces, Marlie leads a star cast of residents who are also sought after djs in their own right. Each bringing a unique flair and sonic flavour to the mix. Producers Venda and Variance join selector Nikola as core members. Their combined forces injecting a fresh and vibrant new energy into the cities underground consciousness.
A recent addition to Sydney’s minimal community is crew ‘BeAvanteGarde’ (B.A.G.). Having relocated to Australia from Brighton in the UK, the experienced team (led by Manfred Spagnoli and Andrea Dev) have had an instant and memorable effect on the scene. They’ve brought the likes of Junkie Inoue & caLLy to perform on Aussie soil for the very first time. Combining mesmerizing visual effects with world class sound systems in a formidable series of secretive warehouse raves. Their work striking a chord with Sydney punters who are hungry to experience the skills of foreign minimal icons.
While the Sydney scene continues to battle against bureaucracy, further south in Victoria’s capital Melbourne it’s been quite a different story. Similar lockouts were trialed in 2008 but were scrapped shortly after following a huge public backlash. As Melbourne is now fast becoming a 24hr city, its nightlife is booming. There are promoters and venues pushing minimal sounds there, but it’s still a niche scene. Ultimately the freedom of expression that comes from a scene not bound by government influence and oppression, is also one that’s more relaxed when it comes to pushing groundbreaking music. This hasn’t doused the fire of the few purveyors of minimalist music in Melbourne though, those who have built iconic parties within more mercantile surrounds. One such phenomenon is ‘The Breakfast Club’, a weekly, Monday morning afterparty that’s a hotspot for Melbourne’s minimalist underground. Based at club Onesixone it pulls both local and interstate revelers who are treated to internationals like Nima Gorji, Dana Ruh & Bill Patrick. The guerrilla campaign to take Mondays back for the people is run by Gabriele Terlicher and Ethan Mclaren and has become a uniquely Melbourne institution. Complete with fresh fruit on offer to patrons and a Nexo sound system that provides the grit for their devilishly long 18hr long parties.
The great bastion for minimal in Melbourne has to be the institution, Killing Time. The intimate Chapel street club has had a storied history over the course of its 10 years of operation. Famous as an intimate, perfectly tuned sounding room, Killing Time has hosted an endless list of underground players. One crew that has been utilising the Killing Time space regularly is Losing Control. A new brand yet a highly experienced crew, with years spent in the booth in the Uruguayan, London and Glasgow scene between them. Their bookings consist of Losoul, Audio Werner, Vinyl Speed Adjust and they’ve booked and assisted Georgia Girl, Harry McCanna and Junki Inoue to tour the country. A fiercely independent club that embodies a true underground ethos. Killing time also plays host to newer event series ‘Over’ run by local producer Peruw. It’s a hometown favourite for veteran selectors like Brock Ferrar and locals Mimm and Made Inc.
With Mantra at the helm of Australia’s minimal movement, newer collectives have formed and bought with them renewed energy as they carve out their own space within the scene. Up North in Brisbane, brand Flux have established a solid reputation from warehouse jaunts with internationals like Cristi Cons, Lazar Hoche & East End Dubs. In Sydney, industry brand ‘Unic’ run by Hendrik and Elia, continue
o garner fans
ith exclusive premieres and vinyl reviews. They’re building strong international ties with Romanian and Ukrainian producers, as they build on their noteworthy podcast series and newly minted vinyl imprint.
With their masterfully decorated and flamboyantly themed raves, the ‘Conspiracy’ crew have curated an event series that have become a huge favourite for Sydney locals over the past year. Reigniting that mid-morning magic that was lost with the close of Spice, brand ‘Afters’ has now established itself as Sydney’s go to after party. Alongside these budding new additions to the scene, Club 77, a historic Sydney club steeped in two decades of history has just reopened its doors after an innovative renovation. Sporting a brand new, world class KV2 sound system it’s now set to become one of the new bastions for underground music in the city.
Growing numbers of minimal artists have also begun to infiltrate boutique festival line ups. Festivals like Subsonic and Babylon are set to bring out icons Zip, Raresh, Fumiya Tanaka, Cezar and Cristi Cons to Aussie shores over the coming months, solidifying a growing taste for this niche music. The real distillation of the Australian scene, however, can be found in the output of its local producers, many of whom have begun to break ground on international labels. The most recognizable would have to be Monika Ross, of Serialism, FA>IE and Metroline Limited fame. Talented producers like Litmus (Signature Records / Pathway Traxx) and Sun Archive (Politics of Dancing / Hoarder) are certainly names to watch in the future, alongside rising producers like Nate S.U & Yokobus from the Conspiracy crew. Variance (Weather Recs), Dan Baartz, Harrison Morris and Papa K (Flux) are also amassing a solid following. Fellow Sydney artists on the minimal techno side are Venda (Bodyparts, Norse Projekt) and Mike Watts (Mantra Collective). These two are constantly honing their craft and are set for huge things next year. Down in Melbourne, promising producers like Peruw, Occult Funk (CMOK), Thomas David (Museme.), Dylan Griffin & Chad B (Subsonic Music) are all beginning to garner attention for their productions, channeling worldwide influences to create brand new sounds. They perform alongside favoured Sydney selectors like Le Brond, Jac Frier, Persian Rug, Jackson Winter (Conspiracy), Val York (B.A.G.), A.lias, Thilini (Flux, Mantra Collective), Cassette, Marley Sherman (S.A.S.H.) and Tiril, all of which continue to push an exciting and essentially minimal house and techno sound.
Although a geographically isolated community, Australia’s minimal scene is gathering momentum, spurred on by numerous passionate supporters and creatives who seek to build a world class movement that can take its place on the international stage.
Words by Hendrik