Madrid-based Bohrium Records is ready to drop its very first chapter called “Empirical Test Vol. 1”. This various artists compilation consists of four sublime tracks by four different talented producers, which have already been hammered by heavyweights like Priku and Gescu.
Click HERE to buy BHR001 – Empirical Test Vol. 1
The first empirical test is courtesy of Romanian rising talent Cojoc. With his “Frics”, we are immersed from start to finish into an ocean of sinister sounds and twisted hypnotic synths. The groove winks to minimal-techno, making us understand the power of repetition trough well-balanced elements and extra-tight hats. As soon as the track proceeds, perception of time is lost, and we slowly dig deeper in this dark gem, falling relentlessly into the loop. Swishy effects are framed by the straight-forward attitude of the drums, while the main vocoderized synth talks to us, escalating to the breaks.
Up next is the more driving techno-oriented “Mal So Mal So” by Switzerland-based Marques Sigi. This one is a headstrong minimal roller with subtle but sticky acid mood with prominent snares, trying to surface in a wide sea of sound. The synth line spreads in huge reverb and outlines a deep ambience, drums are on top and epic reverse sweeps bring us in a completely new dimension. As well as the track progresses, we can taste some piano-ish sounds as well as some horns, all melt in a beautiful and abstract way.
On the flip, the newborn project of Akela (aka Angel Mosteiro and Joel Vazquez) goes deeper and melodic, kicking things off with carillon-like arp alongside majestic pads. Metallic sounds give goosebumps while they travel from one side to another while the breakbeat kick is tight and clean, stinging elastic on the high-tech groove. The synth horn arising introduce the breaks, with LFO’s rate constantly changing throughout the track, giving life to a virtuous movement that slows down and speeds up the entire track. “Space Runner” reminds us something from the 80s and the 90s, bringing to our memory epic soundtrack themes and dark-wave records, due to the old-fashioned synthesizers used, almost wanting to celebrate a time now remote.
Wrapping up the record is the powerful “The Muggles” by Panama’s Avidel. This one’s a pure ro-minimal club tool, conceived for after-hours moments due to the delicious drum patterns, dense of micro variations. Kick is boomy enough, in contrast to the stabby synth insisting on the sixteenths. Dreamy pads, noise fills and SCI-FI arpeggiators do the rest, leaving the subby bass going rigid on the beat, while everything else is sounding so fluid. The break represents our only time to rest, while we float in the evocative texture.
Words by Francesco Quieti & Francesco Zambianchi